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Showing posts with label Van Halen. Show all posts
Showing posts with label Van Halen. Show all posts

Monday, October 22, 2018

Van Halen - Runnin' With The Devil




One goal I had this year was to only write about bands I have never about written before. Which made me think about all the rocks bands who are really important that I have never gotten around to rambling about. Among them is Van Halen.

I have an elaborate interest with Van Halen, or at least, an interest I am going to elaborate on.

When I was young and depended on the radio for music, Van Halen was a constant. I listened to Van Halen all the time, almost as much as I listened to ACDC or Black Sabbath. If I was pressed to list the most important rock bands of all time I would have included Van Halen in the top ten and would have negotiated with myself whether Van Halen or Guns N Roses were the greatest rock band to come out of the eighties. It was Guns N Roses obviously, but when I was young I was not entirely sure.

So, I held Van Halen in very high esteem, and I purchased three of their studio albums and had a copy of their greatest hits and enjoyed them thoroughly. But that was it. After I graduated high school and began listening to more David Bowie and European metal, I kind of forgot about Van Halen. Kind of.

Then something fun happened. While my younger brother and I were working at the bar as line cooks we were gifted tickets to see Van Halen at the Saddledome. Some secret Santa gift lottery amongst the bar management had the unforeseen consequence of the head of marketing and the head manager winning their own gift, so they decided they would give them to someone would appreciate it, and those Kelly brothers in the kitchen were rock and roll rebels, so they gave them to us. It was a great concert, this was the tour where David Lee Roth rejoined the group, so it was the perfect time for someone our ages to see them. Because I had been listening to Van Halen less and less at that point in my life, I got a wonderful reminder of how many great songs Van Halen have. It was really good time, it reinforced my love of Van Halen. But after a few years I kind of forgot about them again.

Van Halen is one of the most influential and best rock bands to come out of the eighties, so they deserve respect and to be mentioned, and since this year is bands I have never talked about before they are top of the list and I better think of something insightful to say; and hopefully I can.

The chronology of Van Halen screams the eighties, because they were such a fundamental contributor to the sound of that era, but technically their beginnings start in the late seventies with their first two albums, the self titled “Van Halen,” and the follow up “Van Halen II” being release in 1978 and 1979 respectably.

A strong start is a fair way to describe Van Halen’s entrance into the music scene. Their first album was a big hit and several of their best songs are on it. Furthermore, the first half of their first album is probably their best set of songs:

- “Runnin’ with the Devil”
- “Eruption”
- “You Really Got Me”
- “Ain’t Talking about Love”
- “I’m the One.”

That’s the first side of their debut album. I believe their best song is “Runnin’ with the Devil” and it is the first song on their first album. It is followed by their most famous, and I believe to be their best instrumental/guitar song “Eruption,” which is some of Eddie Van Halen’s best work. After that we get two more of their biggest hits, of which I strongly prefer “Ain’t Talkin’ ‘bout Love,” the Kinks cover of “You Really Got Me” while very fun, is not my favorite. Rounding off this first section is “I’m the One,” easily the least famous of this record side, but a very good rock song with a great guitar intro.

What a start.

“You Really Got Me” was Van Halen’s first single, but it was a cover song, so really, Van Halen’s first true single was “Runnin’ with the Devil,” their second official single. “Runnin’ with the Devil” has always been my favorite Van Halen track. I think a lot of people’s favorite Van Halen song is “Runnin’ with the Devil.” It is one of the most natural songs to love.

After what I believe to be a car horn echoes past, we open with a great bass intro, one of the most memorable opening bass lines in all or rock and roll. The chorus is sung by both David Lee Roth and bass player Michael Anthony and they are both awesome. Michael Anthony is kind of an under rated musician. Sure, the bass line in “Runnin’ with the Devil” is simple but the consistent timing to the rhythm is very impressive.

There is a lot of belief that Van Halen were early day rock and roll Satanist, and the popularity of a song called “Runnin’ with the Devil” contributed to this belief. I suspect, like most “Satanist” rock stars it is all tongue and cheek. Nonetheless announcing your outlaw life as parallel to the devil’s ways is fun and more importantly very rebellious. The spirit of rock and roll, rebellion. David Lee Roth sings about being an outlaw and how, once on that road, there was no going back. Freedom is a glorious but potentially dark thing, as there is nobody out there worry about the rebel now. I know some people like to hate on Roth because he has performed poorly during some live songs, but this is the early days of Van Halen and Lee Roth’s voice is powerful in “Runnin’ with the Devil.”

Lastly, we have to take a moment to acknowledge the greatness that is Eddie Van Halen. No one in the world was playing guitar like Eddie when he hit the scene. I am incapable to giving proper due to Eddie’s guitar tricks, because unfortunately, I do not fully understand them. I just really enjoy listening to his work and the combination of “Runnin’ with the Devil” followed by the instrumental “Eruption” is a perfect display of what Van Halen truly special. It has everything to do with Eddie’s guitar.

I never needed to write this out, everyone who knows anything about rock and roll already knows all about Van Halen and “Runnin’ with the Devil,” but looking at my song list in these reviews, I felt obligated to say something about this amazing track, even if all I did was gush over how great it is.

- King of Braves

Thursday, October 25, 2012

Helloween - The King for a 1000 Years



“Ages of fire - Aeon of darkness, fear and hate
Wake up my creatures
Stand up you bringers of man's fate
No one can kill us
We cannot die, a death one knows
Mankind is sleeping
My victory near, their end so close

I know your secrets
I know it all”

After the departure of Kai Hansen from Helloween, singer Michael Kiske would only stay on for another two albums, “Pink Bubbles Go Ape” and “Chameleon.” Around the same time drummer Ingo Schwichtenberg was dejected from the band, tragically Schwichtenberg suffered from schizophrenia and an addiction to alcohol and drugs which led the poor man to suicide. Guitarist Michael Weikath and bassist Markus Grosskopf would march on still carrying the banner of Helloween.

The departure of Kiske would prove problematic since his face and voice had become synonymous with Helloween so the replacement had to be someone special. The man they would recruit was Andi Deris a very talented singer, and more importantly he is very “metal.” In some funny ways Helloween experienced what Van Halen experienced when David Lee Roth left and was replaced with Sammy Hagar. Everyone likes Sammy Hagar but most people liked David Lee Roth as lead singer of Van Halen more, intense and needless arguments ensued. Meanwhile for Helloween, everyone likes Andi Deris as a singer but everyone likes Michael Kiske more and intense and needless arguments ensued. I am of the popular opinion that Kiske is the better singer both in and out of Helloween the guy is just amazing, however I really do enjoy Deris’s voice. The two singers are fundamentally different in their range and style but it makes for a variety in Helloween that I believe was advantageous.

What made Helloween famous was the Keeper’s albums. The albums that came after, which I am sure are decent never made the same impact as “The Keeper of the Seven Keys” but there was room to grow and a mythology that could be expanded if only they dared go there. In 2005 Helloween released a double CD set titled “The Keeper of the Seven Keys - The Legacy.”

Unlike “The Keeper of the Seven Keys Part 1 & 2” the over arching narrative in the legacy has more continuity from one song to the next, themes such as devil worship, quests for immortality, betrayal, and sorcery reoccur. Furthermore there is a direct narrative from the song “Keeper of the Seven Keys” and the primary song of this third addition to the mythology “The King for A 1000 Years.” After being sealed away by the keeper of the seven keys the devil and his minions have been waiting biding their time to return and ruin mankind, and suddenly we have continuity.

The leap from the keeper’s sage in 1987-88 to 2005’s legacy was plenty of time for Helloween to change, and looking at the multiple members involved in the band’s history it is easy to see why Helloween changed. Music had changed too, metal music had gotten heavier and harder and Helloween had in so many ways mimicked this and for a song about a hateful Satan rising up from hell and threatening all mankind, heavy is a good thing.

Another interesting detail is the differences in narrative style from “Keeper of the Seven Keys” to “The King for A 1000 Years,” in “Keeper of the Seven Keys” the entire story follows the hero fighting the devil, who won’t let us be, while in “The King for A 1000 Years” the story follows Satan and his efforts to break through to our world, most notably through the corruption of humans.

“Say you want to live forever
Minus one day
Say you will obey and I

I will show - I will show
I will show your Reich of gold
And I will show - I will show
I will show you friend and foe”

What a great line, “say you want to live forever, minus one day,” this is very much the kind of backhanded crooked deal we have come to expect from the devil of our modern culture. Though I still need to look further into Helloween’s discography I suspect that “Keepers of the Seven Keys – The Legacy” along with the song “The King for A 1000 Years” is Andi Deris’s best work and Helloween’s best work since the keeper’s sage in the eighties. It helps that “The King for a 100 Years” and “The Keeper of the Seven Keys – The Legacy” tie back to the memorable albums of the eighties, and perhaps it speaks of Weikath’s creativity since he wrote the two best songs from the series, the last two. Perhaps Weikath revisiting “The Keeper of the Seven Keys” reignited some of the passion he had for the genre of heavy metal demonic fantasy adventure. Whatever the creative reason, it is these three songs “Halloween,” “Keeper of the Seven Keys,” and “The King for A 1000 Years” that really made me fall in love with Helloween. Everything you need to know about Helloween is being told to you in these three songs, the theme and stylization of Helloween’s music and how it changed over the years, also who was involved in each song explains a lot of that. Helloween is a band that has had many talented men come and go but thanks to Weikath and Grosskopf there has remained a unique consistency of metal spirit that can and will stand the test of time.

Say you want to live forever, minus one day....

- Colin Kelly