Nightwish - Shudder Before The Beautiful

A lot has happened to Nightwish in the past few years. Most significantly Tarja Turunen, trained opera singer and front woman of the band, has left to pursue her solo career. Like many Nightwish fans I was devastated, what was Nightwish without Tarja? This is and always was an unfair damnation of the rest of the band, it is not like Nightwish is a bunch of talentless boobs, they are with or without Tarja a collection of fine musicians, but it was impossible to deny that Tarja the main attraction, she was the center piece of their sound and what made they stand out as unique. What were we going to do? What was Nightwish going to do?

What they did was recruit Anette Olzon. From what I can tell Anette is not a trained opera singer, but her real sin was not being Tarja. Fan reaction to the change was very mixed, some were sympathetic to Nightwish and welcomed the new singer, while others could not imagine Nightwish without Tarja and stopped caring about Nightwish altogether. I found myself in the middle of the debate, I too struggled to imagine how Nightwish could ever be great again without Tarja, at the same time it seemed incredibly judgemental to just assume Anette was no good and give up on a band we were all otherwise loyal to up to that time.

I suppose Anette was not completely disliked and Nightwish was not completely abandoned by fans their hit “Bye Bye Beautiful” was a huge hit; still Tarja’s memory lingers since that song is obviously about her.

Anette stuck around for about four years and produced two studio albums with Nightwish, “Dark Passion Play” (2007) and “Imaginaerum” (2011). For reasons that are not exactly clear Nightwish fired Anette from the band in late 2012, she claims it was because she got pregnant, while the band claims it was an issue of personalities. Now enters Nightwish’s third lead singer Floor Jansen.

Nightwish's lead singers from left to right: Tarja Turunen, Anette Olzon and Floor Jansen

I already explained my enjoyable introduction to Floor in the Revemp “Wild Card” review: http://colinkellymusicinreview.blogspot.ca/2015/12/revamp-wild-card.html

Because Floor made such a positive impression on me I decided it was worthwhile to give Nightwish’s new lineup a fair chance and pickup their newest album “Endless Forms Most Beautiful.” Wait “Endless Forms Most Beautiful” where have I heard that before? 

Charles Darwin

 “Thus, from the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.” – Charles Darwin (The Origin of Species)

I have read “The Origin of Species” so I was quick to identify the reference. Then I noticed the title of the last track “The Greatest Show On Earth,” and that too seemed familiar as it is also the name of one of Richard Dawkins books. Then I began listening to the new album and the first thing I hear is Richard Dawkin’s voice speak these words:

“The deepest solace lies in understanding,
This ancient unseen stream,
A shudder before the beautiful.”

So seconds within listening to this new album I am looking up an explanation for all this and confirm my suspicions that “Endless Forms Most Beautiful” is in fact an ode to the beauty of biological evolution. This is a new sort of concept album, I have never previously heard of a band creating an entire musical effort celebrating the scientific understanding of life, or any other science for that matter. I instantly fell in love with “Endless Forms Most Beautiful.”

As stated a moment ago I have read “The Origin of Species,” which is not exactly the first book my fellow well read ballers across the globe tackle, but I have also read four books by Richard Dawkins, “The Selfish Gene,” “The Blind Watchmaker,” “The God Delusion,” and the “Greatest Show On Earth,” so I have done my homework before listening to “Endless Forms Most Beautiful,” but also I personally feel connected with Nightwish after this. If you recall my last review for Nightwish - “Wishmaster” focused on the band celebrating the fantasy works of Tolkien and the Dragonlance universe, that combined with this celebration of Charles Darwin with collaborating efforts by Richard Dawkins means that Nightwish and I are reading all the same books; we should hang out sometime; that would be cool.

I am particular fond of the first track “Shudder Before The Beautiful,” it is great hearing Mr. Dawkins speak some beautiful words of wisdom, but also this song starts off the album right, it is hard and fast and exciting and Floor does her part wonderfully. It seems Floor has been well received by Nightwish fans, including me, unlike Anette she was trained in opera, but also she is not Anette which I guess is a big relief to some.

What a delightful expression “shudder before the beautiful,” describing a pause to behold the awe of existence in its glorious splendor. For it is life itself that is the beautiful being so wildly admired by Nightwish in this song and indeed on this album, as Dawkins argued so poetically, life and with it the unique constant change it makes for itself via evolution, is the greatest show on earth.

I could not help but notice in the opening lyrics an interesting connection being made between the subject matter of life and the band Nightwish itself:

“Awake, oceanborn,
Behold this force,
Bring the outside in,
Explode the self to epiphany.”

I cannot have been the only Nightwish fan to have noticed the dropping of their second album title “Oceanborn.” Literally as mammals our ancestry does tie back to the waters of this pale blue dot, but also Nightwish may correctly identify that album as their birth in some aspects. Interesting thought anyway.

The chorus, which makes up the bulk of the song comes off like the sort of poem Dawkin’s himself might have wrote:

“The music of this awe,
Deep silence between the notes,
Deafens me with endless love.
This vagrant island Earth,
A pilgrim shining bright.
We are shuddering before the beautiful,
Before the plentiful,
We, the voyagers.”

Again we see something of a connection being drawn between the subject matter of the ever changing and evolving life of the planet and music that now comprises the beauty of this understanding. This reminds me a little of Rush’s “2112 Overture” when Getty Lee describes the discovery of technology through the wonderment of playing guitar. Basically every word is perfect in this chorus, deep silence between the notes, vagrant island Earth, and shuddering before the beautiful, this is amazing deep heavy stuff, and Floor sings it so perfectly.

It is a weird thing to admit, even to myself, but “Shudder Before The Beautiful” might be my favorite Nightwish song. This development seems almost inappropriate, how could anyone’s favorite Nightwish song be sung by someone other than Tarja? How is it even possible for us to consider the possibility that Nightwish might have produced their best album in 2015, and without Tarja? I do not expect everyone to agree with me, in fact I suspect most Nightwish fans to refuse to even pause and consider the possibility as they cling to the past glories of the band, but I have to concede, at least to myself, that “Endless Form Most Beautiful” has become my favorite Nightwish album, and “Shudder Before The Beautiful” may have become my favorite song of theirs.

Richard Dawkins approved.

Now maybe I am biased. I am a huge fan of Charles Darwin and Richard Dawkins, and maybe the outlandish fact that Mr. Dawkins has now collaborated on a metal album is just such an insanely awesome thing to have happened that I will always be partial to this event in metal music history.

The version of “Endless Forms Most Beautiful” that I purchased included a bonus CD that was the instrumental version of the same album, and that too is fantastic, but also it says something about Nightwish quality that even without a lead singer at all they can obviously produce fantastic music.

Shudder Before The Beautiful - Instrumental Version:

“Endless Forms Most Beautiful,” Richard Dawkins approves and so do I.

- King of Braves

ReVamp - Wild Card

On May 10th of 2014 I went to metal show that include; Iced Earth, more on them later, Sabaton, whom I have talked about before with the tracks “White Death” and “Poltova,” and the first act of the night was a Dutch band called ReVamp.

It is the most natural thing in the world when going to concerts, there will be an opening act that you have never heard of before and suddenly you are going in blind (or deaf since we are talking about music) into a whole new experience. Sometimes you have to sit through a challenge of your patience, other times you get to discover something new and exciting. I have seen a lot of concerts, and as a consequence I have had to sit through a lot of disappointing first impressions, but I have also had the privilege of being introduced to a variety of great bands, but I feel my chance meeting with ReVamp was a highly positive one.

Standing in the front of the crowd, I saw a very tall woman with long black hair in a shinny dress and she led that metal band in an impressive way. The Dutch are statistically the tallest people in the world, and this woman, Floor Jansen, standing at 6’1 was an impressive sight. Being a tall, decent looking woman, and possessing a powerful operatic singing voice she kind of out shined the rest of her band ReVamp, even though I had to note the lead guitarist was very good and the rest of the band was solid in every notable way. Still there was no way of getting around it, Floor was the attention piece of the band she was much more interesting than anyone else on stage.

If you watch ReVamp’s North American Tour videos I am in part 6 when they are in Calgary, you can see me at the two minute twenty-six second mark. So that’s kind of neat:

Part way through this opening act Floor announced that she was the newest lead singer for Nightwish, which really seemed like the sort of thing I should have already known, so I was learning all sorts of things that night. I was impressed enough that I bought ReVamp’s two albums at the show and chatted with the Floor and the guitarist Arjan Rijnen for a couple of minutes, and that was also kind of neat. All in all I considered the night a win.

There are many examples of metal bands fronted by a powerful operatic female lead singer and ReVamp in many ways is yet another example of this trend. There is of course the added flair that Floor is also part of the most successful female fronted metal band ever in Nightwish, but that is another conversation for another time (January). In my humble opinion there can never be too many metal bands fronted with trained opera and soprano singers so I welcome the inclusion of ReVamp into the wild world of metal music.

There have been two ReVamp albums to date, their self titled debut album and “Wildcard.” Rumours regarding a third album are ongoing but regardless the album of interest here and now is “Wildcard” and the song to discuss further is the self titled track of the same name.

Floor Jansen

The song “Wild Card” does not really start kicking ass until the chorus. There is a moment where all the sounds drop and a completely different reintroduction of the instruments comes forward and Floor’s voice takes us through the chorus and she really sings and it is really great. Upon additional listens I came to realize this song is built completely around Floor’s voice and it is really a rather light metal song. I guess this is yet another example of the value of the strong front person with strong vocals.

ReVamp has been on a hiatus since sometime this year, which, if I had to guess has something to do with Floor touring with Nightwish. The future is unclear for the Dutch metal band and it may prove too much for Floor to work with and tour with two separate bands. If this is the end of ReVamp we can take comfort in knowing we got two decent albums and in my opinion a very enjoyable track in “Wild Card.”

- King of Braves